E'Nuff Z'nuff
Self-titled
Atco, 1989
By Pepsi

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PEPSI SHEEN'S SCHOOL FOR FOOL HEARTED POP DREAMERS: Never try to start no rock group with a pair o' siblings unless you like taking orders and have no ideas of your own. This was a hard lesson for yers truly to remember for some reason, and I repeated this mistake countless times on the corpse strewn, bloody road to rocknroll. It just never works-one of em's always a frustrated frontman who wants to write the lyrics, assign wardrobes, and claim sole authorship of the melodies well, well before publishing is even a remote spark on the horizon. And since there's the two of 'em, when they're not busy sabotaging practice bickering about who pushed who outta some treehouse in the sixth grade, they always carry the vote and usually, they've had some master-plan for rockstardom since they were nine and twelve, and view you merely as some vacant tool in leather strides who refuses to adequetely obey their instructions and if one of their girlfriends says "Hi" forget it, they're lookin' for yer replacement anyway. The worst part is that they've invariably slavishly preoccupied with methodically emulating some established rock group they've idolised for years, like these guys I tried to "Work with" who were totally jazzed about having gotten a postcard once from those dayglo abortions, ENUFF Z NUFF!

THIS MICHELLE CHICK REALLY MUSTA GOT AROUND...

Much has been written about these supposedly "brilliant", "genius", "songwriters" over the years-they even got their own chapter in that beautiful hardcover powerpop book that came out a few years ago ("Power Pop: Conversations With THe Power Pop Elite" by Doug Sharp & Doug Sulphy-look for it!)* and there's often some mildly amusing gossip and characteristically meanspirited glee about their wayward hijinks over at Metal Sludge, but since I'm admittedly not much of a fan, I'll try to keep my commentary on Enuff Z Nuff short and sweet, the way a real power pop song should be. ___________________________________________________________________________________ 

GET HIGH ON A NEW THING

The two main guys, Donnie Vie & Chip Z'Nuff (What wuz he thinking? Too many Slade recordz)  were baseball geeks who grew up together in Chicago, with Donnie Vie apparently hero-worshipping the older Z'Nuff who apparently rode a motorcycle, had pot, and got laid frequently. They seemed to have shared some pretty decent musical influences, but when Rolling Stone voted them best new band of 1990 or whatever, they also had a wanking "virtuoso" guitar hero named Derek Frigo. Derek was "classically trained" and from the Vai/Stevens/Malmsteen 80's school of wanking lead guitarists-he always wanted to shred when one note mighta sufficed.
Drummer, Vicki Fox, looked like a woman, and he's the reason why all those magazine pinups got pasted on the walls of midwest farmer's daughters with Jersey hair that I grew up with-they all liked the guy in each band who most resembled a woman. He twirled his sticks and tried to be a showboat partyband drummer, like his obvious inspirations, Rikki Rocket and Tommy Lee. He went onto play in Vince Neil's solo band, if that tells you anything. They put a big Poison-green day-glo peace sign on their album cover released by Atco in 89 or thereabouts, and their requisite, perfunctory ode to some dead junkie girlfriend received nonstop rotation on MTV for about a month, as did their other tune "New Thing", which, as it turned out, wasn't new at all. The Metallica guys hated 'em, the chicks all loved their drummer, a couple of brothers thought they were the Beatles and went out and bought matching newsboy caps just like theirs-annoying a long string of would-be lead vocalists who auditioned for their band, and me, I was too busy getting drunk and listening to the Front. After that, they kinda fizzled outta the big leagues, releasing a good dozen of records that apparently, alot of devoted pop geeks, including at least one dear friend of mine, seem to take seriously, on various labels, and one would assume, summa this stuff was self-released at some point. I did hear another one of their albums my pop pal waxed all giddy about because it featured guest appearances by Rick Nielsen, Billy Corgan, and Styx guitarist, James Young. (Who remembers "Snowblind"?) I just wasn't much moved, they weren't that good. It's not my fault. Ya know, they had a better songwriting sensibility than say, Bon Jovi, I suppose, but I'd never, never, never put 'em in league with like, the Raspberries and Big Star! Nowadays, one of 'em has a drug problem and is on the run from the law, playing solo shows for former Metal Edge readers-making an Andy Dick of m'self, Derek Frigo-the wanking guitarist -  died in 2004 from a drug overdose, the drummer who looks like a lady probably looks alot less like a lady these days and probably still has work on the metal years hasbeens circuit playing for Roxx Gang or somebody. Mostly, ENUFF Z NUFF seem to preoccupy themselves by contributing cover versions of other hairfarmers songs to those awful tribute compilations Cleopatra or Perris records or whoever does. Wanna hear zNuff versions of "Yankee Rose" or "She Sells sanctuary"? I know! ENUFF ZNUFF, Already! (Sorry!) Chip Z'Nuff was a hero to some, but he never meant shit to me.

*Good luck. It's out of print, and used copies are going for $100+!

Further : E'nuff Z'nuff official
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-Pepsi Sheen somehow finds even D'Molls more entertaining...
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