Lunachicks - Babysitters on Acid (1990, Blast First)
Current Gemm price: $9.42- $34.50
By: "Flash" Metal

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So once upon a time in NYC, there was this scrawny leather clad kid, kinda "bohomeless" in a stinky pair of sequined pants, who was squatting part-time in an old building, and sleeping on various people's floors, including the broad the Deadboys wrote Poison Lady about. One day, he was expected to meet up with his bandmates, at a $15/ hr. rehearsal space on Ave. B, to audition the Lunachicks drummer, for their fledgling Flash Metal rockgroup, but he'd been out late, meeting famous blonde performance artists, and drinking heavily, the night before. He had an insufferable case of cotton mouth, and as he approached the rehearsal space, he saw all his local band- mates thoughtlessly purchasing various refreshments at the Korean grocery store. They all knew he was dead-broke, and only in NYC to sing for this band. Pointedly, no one could be bothered to pitch-in for anything for HIM to drink, in spite of being well aware of the fact that he was going home with different girls he met at bars every night and was penniless, in the hardest city in the world to be penniless in...and he was the SINGER. So, they get into the freight elevator, and he asks the guitarist which way to the rest-room, cos he figures he can, at least, freshen up with some water from the sink. He cups water in his hands, and drinks as much as he can, then goes and half-heartedly rasps his way through the eye-rolling, irritated paces of a dirge-y rendition of the Stones' "Play With Fire", and some garage-rock tune about Sid 'N' Nancy called "B-Movie".
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He later headed back off towards the restroom, resentfully, after a few run-throughs of these lame covers, and one half-written original, to suck down some more tepid faucet water, and encounters this dude who's all moussed-up to look like his childhood hero, Richard Butler, from the Psychedelic Furs! He was growing sick and tired of these come-lately punk-clones, all the annoying Sid Vicious and Ramones Clones he hadda see all over the increasingly tourist-y, Downtown neighborhood he'd grown up in, but this Richard Butler clone, man, this was too much!
The guy nodded all friendly, like he wanted to make small-talk over by the pop machines, and was met with a sneering glare of intense hostility. "Talk Talk Talk" had been one of the most important albums of this kid's youth, and like many teenagers who grew up in the 80's, the "Pretty In Pink" movie s/t had played, as he had first kissed his one true, fine, 120 Minutes-watching love, the girl of his dreams, who'd KISSED him, in her mother's kitchen, as endless lines of neighborhood boys had showed up, knocking at her door, only to be sent away by her older sister, cos none of her other suitors stood a chance at touching her heavenly figure now, cos she'd chosen the Duckie-like character over all the neighborhood Blaines, and that was that!

...And here was this gaunt, ashen figure, in a fingerless leather glove, and mauve, velour, Chess King shirt, with the dozen zippers, emulating our hero, Butler, in the "Heartbreak Beat" video, like it was Halloween or sumpthin' and he had the misguided bottle to think he was gonna "make friends", with an angry young dude who HAD NO MONEY to buy soda pop, who'd slept in an abandoned building full of insane junkies, who'd set the place on fire every other night, whose flash metal bandmates weren't even civil enough to all chip in to help buy him a fuckin bottle of anything, OR a glazed donut to go, in spite of having copped-out on all their glimmery promises to help him find work at one of the many record stores their friends all ran, and he was NOT in any mood to socialize with anybody in a velour shirt, let alone, indulge yet ANOTHER one of these clone-rock wanna beez. This had gone too far. He returned to the practice room in a huff, and the guitarist, and bassist, were telling the Lunachicks drummer some story about meeting Patti Smith or somebody, and our cotton-mouthed king lit into a furious rant about how the poseur clone in the hall was lucky, he hadn't decked him, such was his devotion to the Psychedelic Furs. Dig... It was BUTLER. OK, onto the LUNACHICKS....  
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The Luna-Chicks were one of the best live groups of all time. Charismatic singer Theo Kogan, bassist Squid, and guitarist Gina first met at New York's High School of Performing Arts and put together a ramshackle garage band with somebody's boyfriend on drums, releasing an EP on Blast First, and were, for a time, Sonic Youth protégée's, but were not content to swan around as the anointed darlings of the Pyramid scene. So, the Lunachicks quickly pawned-off their dissonant-hipster in-crowd prestige for an infinitely more rockin' world-wide "Fuck You We're Havin' Fun" approach to Flash Metal Suicide
  
These East Village junkshop-glam, glitter-grunge, proto-real-riot girls released a steady string of colorful albums in the early 90's, that were consistently overlooked by an alt-rock media who were always, (for reasons never specifically discerned by yours, bewilderedly) more concerned with the saturation marketed  L7 and Babes In Toyland, all the Olympia riot grrl bands, and 7 Year
Bitch, etc., etc., but Theo and company were performing these over the top live shows featuring all kindsa chaotic, vaudevillian, roller derby debauchery, Carrie-like prom queen caricatures, butt-plugs, garters and wigs, thigh-high boots, and strap-on dildos, way before their more famous, feminist-y "grunge" contemporaries. In spite of steadily acquiring a world-wide following, THE LUNACHICKS somehow managed to always remain a cult band, beloved by Flipside Magazine readers, and the young fans of Rev. Horton Heat and the Offspring, who the 'Chicks blew off their own stages, countless times, nightly.
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Their music was initially raw and under-produced, and focused on alot of Redd Kross/ Love Doll Superstar/ The Freaks type of trashy obsessions like seventies culture, deviant sexuality, and the Brady Bunch. Some alt-rock fanzine writers were calling them, and all the other non-dissonant, Lower East Side trashy rock groups, "The Skum Rock Movement", trying to flush out a 'scene' they could use as a convenient media-hook, but again, the delinquent, badass Lunachicks continued to eschew easy categorization, or membership to any hip clique of pseudo-celebrities, preferring, instead, to travel the world in the tradition of the Ramones or UK SUBS, blazing a trail of wrecked night clubs and bad behaviours. Their little label, Go-Kart Records, reportedly sank most of their budget into the glossy packaging of the CHICK'S first album on their label, as opposed to providing them with an adequate recording budget, but these kooky gutter-snot heroines still won the hearts of the Flash Metal Underground with their sleazy songwriting, outrageous live performances on all sortsa weird bills, and arena-sized, draggy-camp theatrics, regularly touring, and opening up for, bands like NYC's landmarks the Senders, the
Ramones, Rancid, FugaziNOFX, No DoubtMarilyn Manson, and I'm pretty sure I saw 'em open up for Baltimore's favorite sons, KIX, at the Channel, at some point, back in the blur. I could be wrong, but I seem to remember Theo emotionally singing Bad Co.'s "Feel Like Makin' Love", some 12-15 years before that poseur jackass, Kid Rock.
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One of the most original groups of the past 15 years, the Lunachicks were five (sometimes four) female scum rock hedonists on wheels of fire. The bratty, excess-bent, bad daughters of the Runaways and Anti-Nowhere League! These unapologetic cartoon characters all listened to really bad heavy metal, probably already peruse Sleazegrinder regularly, out-rocked everybody in the world--from CBGB's hardcore matinees to giant, commercial alt-rock fests, and played Pro-Gay, Pro-Choice Protest Gigs with Pearl Jam. They wrote imaginative songs like, "MMM Donuts", "Badass Bitch", "Octopussy", "Fallopian Rhapsody", "Butt Plug", "Wing Chung", and "*@#%!  (a.k.a..,"PMS":) "Give Me Chocolate! I Want To Fuck!". They extolled the joys of "Bad Taste" like John Waters and rocked much harder than (m)any of the boy bands I can think of from the past 15 years.
I dunno why they never "crossed over" into mainstream fame, other than they were unrepentantly REAL rock'n'rollers, incorrigibles, with bad attitudes. Flash Metal Rock Goddess, Theo, apparently now dates one of the Toilet Boys, sings back-up on Debbie Harry records, and has solo stuff underway. The other chicks have various bands going in NYC you can seek out via the following links. Go-Kart has re-released "Babysitters On Acid" and you should only buy it if you like trashy flash punk metal, or just like lookin' at CD's emblazoned with sexxy fotos of unattainable, super heroic, flash metal rock chicks. Also Recommended: Their home video "Luna-Chicks Naked",  "Jerk Of All Trades", "Binge & Purge", "Luxury Problem", and "Pretty Ugly".  
 
LUNACHICKS LINKS:
http://users.erols.com/shydoll/lunachicks.html
http://www.ilovetheo.com/
http://www.gokartrecords.com/index_flash.html
http://www.bantamnyc.com/
http://www.peterbernard.com/rlo/

-Flash "Down At The Pub" Metal...

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