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The Waldos
Rent Party Sympathy For the Record
Industry, 1994 By:
Pepsi
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By
now, it's become an age old tradition, that every year, still another wave
of jet dolls and cherry darlings discover the joys of make-up, junk store
rags, drugs, and the NY DOLLS and gravitate promptly towards the
once seedy Lower East Side, hoping to live out their Gimme Generation long
gone fantasies of 70's bohemian excess--or, to at least buy a Dee Dee
Ramone painting from Wowsville and a Vibrators t-shirt
from Trash & Vaudeville, stand in front of the Dom-imagining Gerard
and Edie's bull-whip dance; get their picture taken with Jayne County,
and to watch the oldsters milk the past at the Continental,
CBGB's, or Don Hill's.
Sadly, it's only trust fund kids from showbiz
dynasties or the junkie prostitutes who co-habitate in their upscale lofts
who can afford to pay the insanely jacked-up rent in the loathsome,
Starbucks-ridden. post-Guilliani, yuppie Manhattan-so most of today's
tinsel trash have to commute in on the weekends from the boroughs. In
contrast to the Forbes/Haring/Kostabi era of the mid-eighties when I lived
there, the bridge and tunnel crowd of today are usually a lot cooler than
the intern-apprentice-office shlubs and model/secretaries who now occupy
the downtown area of Trump's sold-out city. My last few dwindling,
nauseatingly mobile, East Side dwelling associates have all been ragging
to me about how lame legendary Heartbreaker, Walter Lure's
more recent performances have been, implying that he's somehow undeserving
of the enthusiastic fanfare his more recent revolving door roll-call still
often receive from the rabid Cult-Of-Thunders, and that he's often
lacklustre, even lazy, onstage, just goin' through the motions. I can't
say firsthand, cos low-rent hoods like me can't remotely afford to swan
around in New York town proper, anymore. I haven't caught a glimpse of the
Waldos in I dunno, at least eight or nine years, or longer than
that---not since the original, classic line-up were all still alive. I'm
just repeating junk I heard from string-ties 'round the campfire.
Apparently, the Waldos now feature Uncle Walt, Todd Youth
from Murphy's Law, and a mean buncha teen punk Asian boys in
Converse and white t-shirts , ala the Hip Nips, or American Soul
Spiders/Teengenerate/Firestarter, who pogo dutifully
through long-flogged dead horse renditions of "Too Much Junkie
Business" and "Chinese Rocks", but what more would
anyone expect from this leering, old snow-capped stockbroker by day? As
long as HE'S still havin' fun...! All his brash and brassy brethren
have all gone onto the back room of Max's Kansas City-in-the-sky. JT,
Niggs, Tony Coiro, Jamie Heath, his brother Ritchie,
Arthur, Stiv, Joey, Dee Dee, Johnny,
Charlie Sox, and on and on and on-which side are you on? I can relate
to how challenging it can be to keep "representing" when the old gang's
all dead or gone. So many of my homies are dead, for real, you'd think I
was a gangsta rapper. So no matter how half-hearted, or creepy you might
find Uncle Walter, cut 'im a little slack -nobody forced you come-lately
punters to pay the cover charge and stand in the front row taking pictures
with your digital camera, now did they, and if you just came to show-off
your new Adverts t-shirt, then, why bitch and moan?
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PEPSI SHEEN: "I want you guys to be my wedding
band..."
TONY COIRO: "We're cheaper than you think!"
If you've never lived in NY, you might not be that
hip to the WALDOS, but just fifteen or so years ago, they were one
of the most entertaining and authentic in-person rocknroll bands on the
planet-as good as the Fleshtones or Phantoms from New
Orleans on a good night. This aging flash-city-rebel can still vividly
recall when a Waldos performance was a big event, something to look
forward to, when all the Babylonian cognoscenti were packed sardine tight
with bozo-red lips abuzz with talk of |
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Johnny sightings (shooting up in the
girls restroom) and whether or not Thunders or Keef or
somebody were supposed to show up later. It used to be fun. Walter
oozed his vampire charm in all those natty stockbroker/mariachi band
painted suit jackets, porkpie hat, and his filthy trademark-a red and
white horizontally striped ancient skinny tie of his.
Charismatic bass-player/vocalist, Tony Coiro
dressed sharp, too in proto-Sopranos chic-lemon fedoras, cruel shoes, big
salmon colored suits. Guitarist Joey Pinter fucking smoked
Thunders-a total firebrand, an absolute outlaw on Guitar, blazing,
defiant, meaner than mean. He had that Keith thing that nobody ever gets
right-without trying. Like Cheetah. Jamie Heath from the
Oddballs and Blonde N Blue played sax, and Jeff West was
like this thundering metal drummer who could also swing like Nolan
to keep time to all the Waldo's sleazy, 50's and 60's influenced,
keg-party classics. Onstage back then, they might be joined onstage by
downtown royalty like Stevie Klassen (went on to join the
Diamond Dogs and Hanoi Rocks) from the Oddballs,
Howie Pyro, or Alison Gordy, at a moment's notice. Even JT
himself was known to perform this crazy little leapin' leprechaun jig,
outta nowhere, having crashed their stage in the old days. TONY COIRO
was the real star of the band-in my bloodshot eyes, anyhoo. The consummate
rocknroll gentleman, Coiro was first drafted to replace Born Again,
Billy Rath, in the Heartbreakers on one of their reunion
tours. Tony was also the principle organizer and driving force behind that
poignant and unforgettable Thunders tribute concert. Onstage, Tony Coiro
was a frat-rock soul man, beltin' out kickass, from-the-heart renditions
of undeniable love songs and goodtimes rabble rousers with a charm and
onery grace reminiscent of John Belushi.
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Anybody who really appreciates authentic rocknroll, I mean, the classic
Flash-Rock-NYC-TRASH owes it to their
self to track down the WALDO'S "RENT PARTY" a howlingly good
studio document recorded by the classic line-up, at the zenith of their
scrappy powers. Produced by usual suspect Andy Shernoff, every song
on "Rent Party" brims over with bubble gum pink melody lines
and scruffed-up, leathery power chords. "Crazy 'Bout Your Love"
is as unforgettable as any catchy power-punk/pop tune you care to mention.
If you like stuff like say, the Dictators "Stay With Me"
or the Plimsouls "Million Miles Away", you're right
in the ballpark.
Walter and Tony's voices compliment each other nicely, and
like I said earlier, Pinter had real cowboy soul.
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Lure's quintessential tearjerking paean to those
"Golden Days", is a gorgeous and sentimental rumination on his rose-lit
past, like the stuff Shane MacGowan writes, that pulls on your
heartstrings if you've ever ended up underneath the blueish neon
half-light of the local pub, every year after year, hearin' the same jokes
and breathin' the same stale smoke, askin' each other what you're still
doing there, when you know your lives are passin' you by, even as you down
another pint, and pretend like everything's gonna be ok. You talk about
the guys who used to sit beside you on the empty barstool and swear you
just heard the whoosh of the scythe again. I used to put "Cry Baby",
"Party Lights", or "Love That Kills" on all my mix tapes we used as
soundtracks for all our psychotic, hardcore, sauce-king brouhahas, and if
I ever do another radio show, you can be sure the WALDOS will be in
regular rotation. Even the cover songs rocked shit-crazy. Ray Charles'
"Busted" and the obligatory, Gary U.S. Bonds/Dolls
romp, "7 Day weekend"
just got the real raunch and rowdy stuff of transformative rock'n'roll
magic. You buy this record, you play this record, and you and your bitter,
anti-social roommate will start feelin' good, and makin' friends again, no
shit. Cookin' out, callin' some people you haven't talked to in awhile up,
and "laughin' and a singin' and a doin' all the things like we used to do
before!" It's that easy. Jerry Nolan's "Countdown Love". "Sorry". "Never
Get Away"--the hits just keep comin'! Hit after hit! You don't wanna go
without this disc-this is what real rock'n'roll sounds like!
This inexcusably forgotten, good time motherfucker
is probably available on-line-either from Sympathy, or from one of those
on-line stores for people with credit cards, and I highly suggest you real
flash rockers get ahold of a copy, like, yesterday! "Rent Party" also
co-stars flash metal kin-folk and fellow travelers like
Michael Monroe
(Hanoi Rocks) and Jesse Malin (D-Generation) and will make the rest of yer
cd's feel like duds and wallflowers beside it on the shelf. This flawless
series of anthemic barn-burners and catchy, soul stirring love songs serve
as a fine scrapbook of the dimming, late 80's NYC
flash-metal/old school
trash-rock scene's last few, fading glory days, before everybody died or
moved to Brooklyn and the careerist cyber-geeks and Gap ads moved in. You
might as well start blowing up your inflatable pool toys and lookin' for
that lampshade now.
Sympathy For the
Record Industry
Johnny
Thunders cyber-lounge
Alison Gordy's homepage
-Pepsi, suddenly in a better mood.
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