Kill Them and Eat Them (2003)
Directed by Conall Pendergast
Contact: varno@macondo.org

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Cuppla years back, the oddly-named Canuck filmmaker Conall Pendergast grabbed a camera and ran amuck on his local campus, throwin’ buckets of guts everywhere and terrorizing the faculty. The result? Flesh Freaks, a rock ‘em sock ‘em no-budget zombie epic that piled on lotsa laughs and gallons of grue. Tagged at the end of said flick was a trailer for a mutant-powered splatter flick called, charmingly, “Kill Them and Eat Them”, which pretty much guaranteed that no chick would EVER see it, but every dude WITHOUT a chick surely would.

And hey, here it is. The plot of this ‘un is SO screwy, so fuckin’ loony, that I fear my brain may unravel just trying to get it down on paper, but what the hell. See, there’s THE COMPANY, and THE COMPANY knows all, sees all, right? Most of the time, sure. Not this time, tho. The CO.’s prized mad scientist (every company has one!), Dr Gore (!), has gone renegade, building himself a make-shift genetics lab in somebody’s suburban basement. Along with some twitchy loudmouth guy, he traps homeless people and shoots ‘em fulla some kinda formula that turns them into “mutants”, which means they have claws that look like burnt roast beef, and giant heads that are some kinda unholy cross ‘tween Brak and that hare-lip kid in Creepers. They’re called “Skeletoids”, I think.

These mutants serve no purpose except to trap unsuspecting souls wandering around the facility and rip their faces off. Oh, and sometimes they go to the grocery store to buy tortilla chips. Anyway, two “COMPANY” men eventually track Dr Gore down and try killing off his mutant army (there’s like, 5 of ‘em) with blowdryers wrapped in duct tape. There’s a biker chick locked in a closet, too. Oh, and the loudmouth guy gets turned into a blue mutant, and has a War of the Gargantuas style battle with a green goo-mutant. I don’t wanna give the ending away, but it involves Cuisinarts.

All along the way to the bloody (well, maybe not bloody, but certainly, uh, WET) climax, the various characters explain the action-so-far, in an attempt to make some kinda sense out of this hodge-podge of bad science and possible political allegory, but, you know, FORGET IT, Jack. There are no heads nor tails here, just guys in weirdo monster masks running wild. And that’s ok, I mean, they don’t all have to be think-pieces, but it does make for a head-scratching 80 minutes. Aside from the confusing plot, however, there is plenty o’ fun to be had with the misadventures of bumbling corporate hacks (who conduct business from an abandoned mens’ room), the bug-eyed mad doctor’s assistant (“Glands? What do you think this is, the 1930’s?”), the great and terrible Dr Gore (who has a semi-Hitler mustache, and talks like Johnny Cash), and, of course, the toothsome mutants.

Aside from the usual smash-cuts and blood-on-the-walls cheat-shots inherent in ultra-low budge flicks, “KT&ET” is a pretty unique looking film. Utilizing LOTS of ultra-close-ups and SWIRLY cameras, it keeps a manic, cartoonish pace throughout it’s running time, and scenes are sutured together with brief animation bits. Side-stepping the usual headbanger clang, Pendergast also shows off a tasteful ear for soundtrack music, and occasionally, it works brilliantly, like in the scene where the COMPANY men chase down a mutie in the woods as junky 60’s jazz clatters away drunkenly in the background.

Ultimately, the thorny, nonsensical plot hobbles “Kill Them”, as this is the kinda movie that really doesn’t benefit from talky explanations, but it it’s still got plenty goin’ for it. If yer a backwoods splatter fan, check it out. It’s funny and sick, just the way you like it. Ya freak.
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Biker chick!

                             Mutant! Fucked-up dude!
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-Sleazegrinder

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