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“Why weren’t you at the Women’s Coalition meeting this afternoon?”
“Frankie didn’t want me to go. Said it was for dykes.”
It’s easy to write
off Flesh Eating Mothers as yet another Troma-style crapfest,
and on several levels, you’d be right to do so. It’s a low-budget,
Tri-State-area-lensed splatterflick, packed to the gills with
non-professional actors playing the sort of ugly, mean-spirited, and
deeply retarded characters that populate most Troma films. And the premise
itself – a venereal disease spread by a suburban lothario turns several
housewives into insatiable cannibals – smacks of Troma’s self-parodying,
“horror movies are stupid, aren’t they?” vibe, and is rife with their
brand of dopey jokes (lots and lots of “What’s eating you?” type gags).
But unlike Uncle Lloyd’s pictures,
Flesh Eating Mothers doesn’t exhaust the viewer’s patience, due
mostly to the fact that director/co-writer James Aviles Martin
keeps things moving at a brisk pace, has a few decent actors in his cast
(especially Neal Rosen as local “rotten kid” Rinaldi), and pours on the
gore, including not one but two scenes of moms eating their pre-teen
children. That he was able to pull off all this with a budget probably
equal to or less than most Troma titles says something – either that
Flesh Eating Mothers is a surprisingly enjoyable no-budget
splatterfest, or my standards have dropped to an all time low. I’m gonna
go with the former.
Many of the folks
involved in the behind-the-scenes on Flesh Eating Mothers also had
a hand in The Suckling, another unexpectedly likable New York-made
indie horror (they also made Splatter University, but I won’t hold
that against them); all three have been released on DVD by Elite, which
seems to understand that there’s an audience for ‘80s direct-to-video
horror who’s interested in seeing these films again. I sorta wish there
was more of a showing extras-wise beyond a battered old trailer, but the
16x9 presentation (of a film blown up from 16mm) looks awfully good, so I
really can’t ask for much more. _____________________________________________________
- Paul Gaita
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