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There are probably other Italian crime films that are more substantial than The Heroin Busters – I’m no expert at the genre, so I can’t say. But I did find myself completely entertained by its relentless desire to cram as much action as possible into its 93-minute running time. And it’s all delivered with real muscle and imagination by Castellari, whose knack for outrageous stunt sequences gets an eye-popping showcase in the film’s final 30, which features a head-on motorcycle crash (no faking, no dummies) in the middle of a Roman historical site, a shootout in an abandoned subway tunnel, and a game of mid-air chicken between two single-prop airplanes. I understand that this barrage of craziness might come across as old hat by modern action standards, but what makes The Heroin Busters so enjoyable on a basic popcorn level is that there’s really nothing to the movie but action – no heavy moralizing, no romantic subplots. No subplots of any kind, really. Sure, there are a few attempts at grey shading, mostly from the abuse suffered by the junkie at the hands of dealers and a gang of local dads who thump his ass for peddling dope outside a school. But aside from that, it’s all go-go-go action, with little dialogue aside from Hemmings’ crusty growls and a wisenheimer crack or two from Testi (who manages to play it cool in a ridiculous pair of buckskin boots). And I can’t say that I got the same degree of uncut entertainment from anything I saw in the theater this summer. Can you? Blue
Underground’s DVD includes the original trailer (which serves as an
excellent highlight reel for the movie’s best stunts, so don’t watch it
before you see the film itself), as well as commentary by Castellari, who
frequently giggles with something approaching glee at the sheer fun he
created. I know exactly how you feel, signor.
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