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Electric
Hellfire Club |
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Can I have a 'Hail Satan', brothers and sisters? The Electric Hellfire Club is the ultimate combination of hardcore sin and forked-tongue-in-cheek shtick, and industrial metal band that you can dance, bang your head, or sacrifice virgins to; part Slayer, part 'Twitch' era Ministry, all blood on the dance floor. Their ruling infernal majesty is the Right Reverend (in the Church of Satan, naturally) Thomas Thorn, perhaps the most openly blasphemous rock and roll super villain south of Heaven. After leaving slinky serial killer death disco outfit Thrill Kill Kult a decade ago for "Not being Satanic enough"- which, by the way, is the greatest reason I've ever heard for quitting a job- he forged together this hoary new clan of digital terrorists. Over the years, they've gone from a spooky but primitive skeleton dance outfit to their current incarnation, a whirlwind of slashing metal and thunderous industrial rhythms, a sound they quite appropriately call "Electro Evil". Hot on the hooves of a new opus, the narcotically black metallic "Electronomicon", the Hellfire Club is embarking on a Devil-may-care, brimstone fueled campaign to raise literal Hell in smoking pits of rock across the country. As a blood moon bloomed over the night skies, Thomas called me from a phone booth somewhere near the 7th concentric ring of Hades to deliver his dark edicts. God Don't Like It "Honestly speaking, it's true", Thomas tells me when I ask him about his infamous departure from the Thrill Kill
Kult. "We were sitting around one day, and the rest of them were going, 'You know, I think the devil thing has gotten kind of played out, "It's a legend of a mystical book, you know, the Necronomicon. And the concept behind it was biomechanical- a living, electronic book of the dead." Thomas is talking about the new album, and it's sinister origins. "Part of the reason that we're called the Electric Hellfire Club is because I equate spiritual energy with electricity. There's stereotypical examples of that, like on a night when evil takes place, there's always lightning, or like in Frankenstein, when electricity brings the monster to life. That's a theme that runs through our stuff. So that's the concept, you know, it's a book that's 'wired in blood'." Searching for the perfect environment to conjure the digital demons necessary to turn "Electronomicon' from a mere metal record to some kind of Satanic force of nature, Thomas decided to bring the band straight into the belly of the beast- Sweden's infamous Studio Abyss, home of only the blackest metal hearts. "It's pretty weird", he says of Abyss. "Peter Tagtren, who owns the place with his brother, he took money from his band Hypocrisy and said, 'Well, I want a studio, and I want a place to live', so he pretty much bought a whole village that was sort of deserted. It was where the old mental institution was. There's a building there, it's the size of a small apartment building. They don't even use that one, but that was the site of the actual nuthouse. And they've got all these outer buildings, and where the Abyss Studio is, that was formerly the infirmary and the morgue. The other thing is, it's like 23 miles from the nearest city, and we were there for 33 days. We were out walking in the woods, and I tell you, Scandinavia is a strange place. You can see why bands like Mortiis come from there, it just has this feeling like there really are trolls there. It's just pure and untouched, and there's a spiritual energy there that's like nothing else anywhere." "I'm just a magnet for shit, man." Being the red right hand of the devil isn't all black lipstick blowjobs, free cocaine, and vacations in Sweden. Keep singing Lucifer's praises, and sooner or later, some very unhinged souls are going to join the chanting. "Yeah, there's always something interesting going on in this band", Thomas sighs.
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