The Black Keys
Rubber Factory
Fat Possum

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Rubber Factory is more raw-assed, unrefined rock and blues from the Black Keys, and that’s good news. Even better news is the fact that the two-man wrecking crew of guitarman Dan Auerbach and drummer Patrick Carney throw a few monkey wrenches into the basic Black Keys formula—sludgy, electric soul with a coffin lid backbeat—but they don’t fuck up the record in the slightest. Opener “When the Lights Go Out” lurches on a drag-stomp zombie beat and brittle acoustic slide, and this pass at mournful blues could’ve gone totally wrong, but to the Keys’ credit, sounds as authentically spooky as any pre-WWII field recording. Same goes for a sunny shuffle through the Kinks’ “Act Nice and Gentle,” but as with their pass at the Beatles’ “She Said, She Said” on Thickfreakness, the band gets to the countrified heart of the tune and makes it their own. Otherwise, it’s business as usual on Rubber Factory—loping, jagged sheets of hill country funk set to shaking on an undeniable ass-rocking beat. The title’s industrial allusion is right on the money for The Black Keys—this is hard-working, grit-under-the-nails rock and roll, forged with heat and soot and sweat and steel. Perfect for rent parties, demolition derbies, dry hump sessions and sweat shop overthrows.
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–Paul Gaita