Starflyer 59 - I Am the Portuguese Blues
Tooth and Nail

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I Am the Portuguese Blues opens on a very promising note with a one-two hotshot of druggy fuck music driven by some monster riffs—“Wake Up Early,” which lopes along hungrily on its benumbed bass line, and the T.Rex-fueled “Unlucky”—and sticks with that vibe for the majority of the album. It’s the kohl-eyed, drink-spilling, sloe-eyed club creature cuts—the musical equivalent of that spooky/sexy chick in the little black dress and combat boots that keeps popping into your field of vision at the other end of the bar and meeting your sidelong glances with a toothy smile while she grinds blandly against some well-coiffed nitwit. Starflyer 59 gave up this sorta thing after their self-titled debut album back in ’94 in favor of exploring introspective indie pop over the five or so albums for Tooth and Nail; whether their return to the rock is a strategic move calculated to tap the garage rock vibe or a nostalgic effort on the part of frontman/mastermind Jason Martin (who handles most of the instruments, writes all the tunes and produces all his stuff) is up to more cynical or generous minds than mine; all I know is that Portuguese delivers Starflyer’s traditional mope rock with a heaping helping of grinding guitar and saw-toothed hooks, which should go a long way to quell that stupid “sell-out” vibe you might feel by giving this record a spin (and that goes double for checking out a disc from Christian label Tooth and Nail—grow the fuck up and right quick if you “can’t” listen to an album on that label ‘cause of the Jesus angle). A couple of cuts dip too deeply into the indie-bummer waters—“Not Funny” and “No Revolution” smothers their guitar lines with draggy melodies—but kicks right back into play with the sinister twang of “Sound On Sound” and “Destiny”. Pretty ballsy stuff for a buncha popsters, I think, but you be the judge.

—Paul Gaita

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