Singles
January, 2005

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I should preface this month’s journey to vinyl-ville by mentioning that my bony Sony stereo (pilfered, by the way, from dead uncle Nick) is fucked. One of the channels (I wanna say left, but since I’m sitting across from it, who knows?) is fried, and the other one sounds like the speaker is somewhere deep down inside a vacuum cleaner bag. I put off reviewing the singles for a while now, because I just figured we’d buy a new stereo, maybe one of those Bose jobs, ya know. But when I mentioned it to Stacey, she said, “So, how do you plan on paying for this new stereo? Do you have a magic hat that you can pull money from now?”

Alas, I do not have a magic hat. I guess I’ll just have to suffer with half a stereo system. More like a fuckin’ mono system. Anyway, given my predicament, I cannot vouch for the production on any of these rekkids, but seeing as most of ‘em are punk rock, they probably all sound like empty suitcases being thrown down stairs, on purpose. And away we go.

Not Psycho Enough? (V/A)

This is the first in a series of single comps that pay tribute to Aussie punk n’ roll champs the Cosmic Psychos. All I know/remember about the Psychos is that they were big in the 80’s, and they had a thing for football. Or wrestling. And I think they sounded like a punk AC/DC. Or like the Saints. Anyway, given my relative ignorance of the subject matter, I can’t say how well these 4 tracks hold up when compared to the originals, but…well, Sloggy – who are from Luxembourg! – do a pretty acidic space-rock thing on “Lost Cause”, and they really lay into a nasty, nauseous groove with it. If you ever had a drug turn on you in a key moment, then you will really FEEL this one. Superhelicopter LTD are German, but may very well have some Swedish blood in ‘em (or on ‘em), cuz they do the big-time arena sleaze sound on “Down on the Farm” like…fuck, like a Super Hellacopters. Bad ass. No wonder they ignored my request for a demo last year, the fuckers don’t even need my help. On the flip, the Mormones (from Norway) lay down a noisy bed of fuzzed-out garage slop that sounds kinda like empty suitcases being thrown down a flight of stairs. Underneath the howling and scraping, it’s “Alright Alright”. But they’re pretty far from alright, if ya ask me. Finally, my old Belgian pals the Bad Preachers turn “Custom Woman” into a flamethrowing cock n’ roll scorcher with a sudden descent into stoner-fuzz rawk. Righteous.

I don’t think you have actually be a Psychos fan to dig this quartet of dirty Euro-trash ditties, but I’m sure it helps. Either way, if you like yr rock ugly and sick, then it’s ON, baby.
Dull City

Lo-Lite
Gravity/Mellow Down Easy

Lo-Lite are Dutch blues duo. They’re kinda like the Lee County Killers, only without the hillbilly-voodoo-hoodoo vibe. There’s one original tune on here, “Gravity”, which sounds like a scarecrow accidentally lighting himself on fire, and one Willie Dixon cover, “Mellow Down Easy”, which sounds like the funeral march for said scarecrow.

Bonus, part 1: The songs sound ok at either speed. Different, but ok. It’s like having 4 songs for the price of two.

Bonus, part 2: This is easily the thickest slab of vinyl I’ve ever seen. It looks like a big black stack of pancakes.
Dull City

The Answer Lies/Ten Seconds To Lift Off
Split

I have not had the pleasure of reading Dirt Culture zine, but I have certainly been accused of wallowing in dirty ‘culture’ more than once, so I’m sure it’s boss, Tweed. This is the first release from Dirt Culture’s record label, and it showcases two of the punkinest punk rock bands in DC’s hometown, Los Cruces, New Mexico. So let’s dance.

First up is Ten Seconds to Lift Off, who play catchy, trashy punk rock n’ roll that’s fast and furious and hook-filled. The mix on these tracks is fuckin’ crazy – the vocalist sounds like he’s desperately trying to get away from the rest of the band- but the songs have an energetic teenage bounce to ‘em, and their whole vibe reminds me of Repo Man, for some reason, so what the hell.

On the flip, the Answer Lies thrash out three short, sharp hardcore punk tracks. In a different world, they’d be a Mystic Super Seven band, easy. A little on the rough side, but I reckon that’s the idea.

If you have any inclination at all to wear a dog collar, or know what pomade is, than I bet you’ll like this.
Dirt Culture

Hedgecreep - buncha songs

Hedgecreep is a fantastic band name. Hedgecreep! You can see it, right? Some sweaty dude behind the bushes at the park, peeping at rollerskating teenies through cokebottle glasses. Awesome. Hedgecreep (the band) is from Memphis, and they play fuzzy, dizzy, Sleestack-motherfucker drug rock. It’s like mud between your toes, only for your ears. It’s like being drunk at ten in the morning, with the sun beating down on you, and some guy you don’t even know yelling at you about crazy shit for like, ten minutes straight. Killer. Of course, I can see lotsa lazy rock journos tossing around Melvins references when the subject of Hedgecreepin’ comes up, but I tell ya, I can’t listen to that hippy goof-doom gunk for more than 30 seconds without leaving the room, yet I have worn this ‘un (especially the cartoon fuck-fizz of “Cop Song”) down to the nub all night long, so please, ignore the fuckin’ critics. Well, except for me. Hedgecreep will give you the best rash ever, man.
Wrecked ‘Em

The Earaches
Freedumb Fries/Too Hot to Taste

The Earaches are from Washington (the state). They look like a bunch of aging troublemakers, and they like to play rock n’ roll. I’m pretty sure “Too Hot to Taste” really is about something hot, because those are the only lyrics – “Owww! Too hot!” These lines are shouted over a raucous garage rawk ruckus that’s equal parts Sonics, Sex Pistols, and whoever did the Munsters theme. It’s a real party, jack. “Freedumb Fries” mines similar territory, ‘cept that it’s more pissed off (“You are not my president!”) and actually sounds a little evil. And evil is good. Bitchin’ frizzle-frazzle guitar solo, too. A pretty fun single, especially if you also think bedspins are a riot.
Steel Cage

The Mutants
Timba Am Gaya/Lai-Thong

Says it’s the “original soundtrack”, but to what? To a riot on the Sunset Strip? To a Malaysian softcore women in prison flick? Or is it merely the tribal, pulse-pounding, panther riding “mental beat” whirring away in our own thick skulls that fellow Fins Hanoi Rocks once warned us about?

Well, I dunno, I lost the cheat sheet. It probably explained it in there. What I do know is that the Muties have once again graced us with a two-fisted dose of totally fucking suave jungle exotica-meets spy smasher crime jazz, and they are so goddamn hep that if I DID own a fez, I’d put it on. And honestly, can you imagine me wearing a fez? That’s pretty hep, you must admit. Can I have an “Ungawa!” brothers and sisters?
Dull City

Sloggy – 4 songs

It turns out that Sloggy (again, from Luxembourg!) are a brother and sister duo. They play blasto pop and no-fi fuzzpunk with a cheeseball drum machine thwacking way in the background. The chick sings, mostly “please me squeeze me” kinda stuff, and the overall effect is somewhere between the hypnotic narco-pop of Frenchies Stereo Total and the greasy drag racing fizz n’ roll thrills of Big Stick. If yr thinking dune buggies and clambakes, then you got yr head on straight. All 4 tracks were, of course, recorded in their living room. The cute police may take them away soon, but for now, let’s hear it for the most heavily tattooed Carpenters tribute ever!
Dull City

By the way, if you Google Sloggy, you get this awesome underwear site!
Sloggi!
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-Sleazegrinder