I first saw
Ruggero Deodato’s soul-scorching
Cannibal Holocaust with my pal Dave, who has logged some serious mileage
on the sleaze and gore highways with me since we were tiny tots. And I
remember him turning to me as the end titles rolled and saying in all
seriousness, “I think I wanna cry.” I’m pretty sure that part of the
reason for Dave’s reaction, aside from the endless hell-parade of
butchery, animal abuse and real-life massacre footage, was Riz Ortolani’s
score. Rather than taking the usual route for Italian jungle-horror
pictures – “savage” drums and chanting – Ortolani kept on the orchestral
side of things (with some electronic effects) and decided to play up the
tragic side of the story instead of the exotic. The result is one of the
most emotional and elegant scores ever composed for a wall-to-wall
gorefest, though like the movie itself, it’s not the sort of thing you can
throw on as background noise – Ortolani’s main and end titles are almost
punishingly sad, even without Deodato’s sledgehammer imagery. And his
suspense cues, especially “Adulteress’ Punishment” (which plays over the
infamous riverside murder-and-abortion scene) and “Massacre of the
Troupe,” have a mounting sense of impending doom that isn’t going to let
you sit comfortably without raising a bumper crop of gooseflesh first.
There are a few moments for catching your breath – the mellow Eurofunk of
“Cameraman’s Recreation” and “Relaxing in the Savana,” for example – but
it’s right back to Tension Town with the pulsing electronic chirps in
“Savage Rite” suggesting the spasms of a frantic heartbeat, and finally,
back into the heavy, inescapable main title theme, repeated for the end
titles, but now with a light tribal drum beat wavering in and out of the
farewell-to-thee melody. Sheesh. No wonder Dave wanted to cry.
Red Stream’s CD is the first official and complete
recording of Ortolani’s score since the limited edition release from
Germany back in ’95, so if you’ve been waiting all these many years to
have your good mood crushed under the fifty-ton weight of this music, you
can start rejoicing now. And you’ll be doubly pleased with the extra
features you’ll find when you pop the disc into your computer – no only do
you get the new trailer from
Grindhouse Releasing (the evil souls who are putting out the new Holocaust DVD), but a brief
but informative interview with Mr. Riz himself. I never thought the
day would come when I’d use the words “classy” and “impressive” to
describe anything related to Cannibal Holocaust, but really, the words are
more than right on for this CD.