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Chicago
Superpop sexbombs Super 8 Cumshot
answer that oft (well, ok…not oft) asked question -
what if Urge Overkill had a buncha gay cousins who rocked just as
much, only they sang about stuff like the joys of prison rape and falling in
love with dudes that drive Volvos? Well, I already told ya what would
happen, so let us freak freely with this pack o’ pink rawk powerhouses on a
rollicking, porno-obsessed, 11 track sex party. Grab your ankles.
Storming opener “I Love a Boy” shoots off like a flaming (ahem)
rocket, blasting into the stratosphere in a fucksplosion of thunderous
glampunk chug and berserk testifyin’ vox courtesy the very Danko Jones-eque
phlegmball superstar Jinx Titanic. It sounds for all the world like
UK supersoul shakers Gold Blade, if
Gold Blade were as gay as they are
macho. “I Love a Boy” is disarming, hilarious, and absolutely ass kicking,
all at once, and it is at this point where you decide whether yr strapping
in (ahem) for a wild ride on the Cumshot
Express, or yr gonna be one of those drippy homophobe types and go back to
wrestling shirtless dudes in Pantera moshpits. If your sticking
around, dig the crazed party-punk singalong “Everybody Loves a Muscle Boi”
(not true, but the way- straight guys hate muscle boys), with
it’s Gary Glitter “yeah-yeahs-yeahs” and it’s Pistols-gone-pop
guitar riffs. It sounds like something John Waters wrote during a
drunken bubble bath, and even though lines like “Who cares if there’s
nothing upstairs/He looks good in his underwear” seem better suited for, I
dunno, old Julie Brown songs, S8
deliver ‘em with enough conviction that I half expect the dudes from the
Muscle Beach Party movies to come bursting through the door. Then
there’s the ultra-mega boner anthem “I Wanna Make Love to You”, a
giddy ode to the simple pleasures of getting it on, wrapped around a big
barking superriff, a bitchin’, snake-hipped Johnny Thunders solo, and
lines like “I don’t wanna make love to your tribal tattoos/I don’t wanna
make love if it’s gonna bruise”. Oh yeah, and it briefly, and seamlessly,
turns into that Betty Boop song. If this ‘un doesn’t provoke you into
gettin’ friendly with the next sexy thing in your path, then you must just
not like to fuck. It’s like a long lost “Rock n Roll Juggernaut”-era
Meatmen song, if Tesco was really gonked on Ecstasy, and it
just slays, man. And, as befitting these sexed-out dandies, the album closes
with a classic dose of honky-tonking glamgospel, “There’s a Porn Star
Shining Down on Me”, which gave me visions of
Austin O’Riley with wings and a halo, winking lasciviously and
tossing around hundred dollar bills like confetti. Which is a damn good
vision, daddy-o.
I suppose it would be pointless to mention the similar stylistic threads
‘tween these cats and gayglam bands of yore like Buffalo’s Sissybar
and Boston’s Peecocks, since you have no idea who those boy-fuckers
are; so lemme just say that if you like Cheap Trick and Turbonegro
in equal measure- and you do- then yer gonna love
Super 8 Cumshot. Unless you’re a pansy,
maybe.
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