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Beatman
and his gang of Swiss pranksters at Voodoo Rhythm are perfectly capable of
faking an entire rock and roll career, so when they seem a little hazy on
Jerry J's history, I have to remain at least a bit skeptical- I mean, for a
record that collects tracks originally taped in 1958-1964, the organ on a
few tracks sounds remarkably like the one Beatman's Die Zorros band
used just a few months ago- but it's such a great story, I'm gonna hope it's
all true anyway. See, Jerry J was a Brit born rockabilly cat who made a name
for himself at local hotspots in New Mexico in the late 50's. He recorded
for the possibly apocryphal Q label until the early 60's when he punched the
owner in the teeth. He got summarily dropped from the label, never regained
his momentum, and died a broken man in the 90's. All his singles languished
in complete and utter obscurity, until some friend of Beatman's showed up
one night at a local bar with a fistful of them under his arm. "The
Gentleman of Rock n Roll" collects all these tapes, and this, then, is the
first and last full length Jerry J Nixon has ever had.
The music here is stellar early rock n roll, bringing to mind Sun-era Elvis
and Eddie Cochran, full of skronking saxes, twangy guitar, Jerry Lee piano
plinking, Nixon's distinctive 'billy warble, and a discernable Latin
influence, and even if it is all a goof, it's still a killer record- I mean,
can you really argue with "(We're Gonna) Wang Dang Doodle"? No way, Jack.
There's an excerpt from a radio interview at the opening of "Gentleman" that
claims to be from October, 1958, presumably on Mexican radio, since it's
mostly in Spanish. The interviewer asks Jerry a long-winded question in
Espanol, and he remarks, in terse English, "Yeah, there's 4 guys in the
band. You gonna play the record now?" Regardless of Jerry J. Nixon's true
origins, I can't think of a better summation of the whole story than that.
Lost classic or new ruse, this one's a rocker, for sure. |