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I
saw the ever-righteous Ogre ply their space-Hobbit thunderboogie
onstage at Boston’s annual white trash apocalypse The Redneck Fest in
2000, which was fabulously ironic- I mean, how much of a redneck can you
possibly be when you hail from Maine, the northernmost state in the entire
fuckin’ country? Anyway, they came on like Spinal Tap, BTO,
Uriah Heep, and, I dunno, some kinda stonerfuzz trip, all at once. It
was a memorable performance, of that I will attest. I actually had not heard
a peep from their camp in the last few years, and presumed ‘em missing in
action, until, inexplicably enough, my supermodel buddy Isadora Edison
implored me to give their new record a spin. She even sent it to me,
for Chrissakes. The lesson learned? When it comes to Ogre, Jack, you
just gotta roll with it, cuz strangeness abounds.
The supermodel approved “Dawn of Proto-Man” is a concept record, of
that I am certain; there are caveman assaulting spacemen on the cover, and
that, brother, is highly conceptual. Dutifully, I went over to their
website to read
along with the lyrics as they bellowed through the funky doom-jams on
display, to figure out just what this “Proto-Man” jive was all about.
Turns out, it’s about KISS, giant aliens from the future, ill-fated
bomber pilots, and the plague. Not all at once, but at least in rapid
succession. And all the while, these strange words float in a sticky syrup
of jazzy noodling, ancient Sabbath riffs, and the occasional moment
or two of arena rock bombast. “78”, the KISS song, ironically
sounds just like AC/DC, and most of the other songs sound either like
Iron Maiden covering Status Quo, or the other way around. It
sounds like the enthusiastic work of a buncha aging metalheads growing
quietly mad in the sticks, and that’s exactly what it is. As such, it
couldn’t be more perfect, unless they took to wearing purple velvet
waistcoats onstage, or something. If you thought fog machine metal was dead,
then baby, Ogre are here to wake you the fuck up. Your own private
Stonehenge awaits.
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