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Earlier today, a friend emailed me to ask me if I was going to
“Satanicide” this weekend. I dunno what “Satanicide” even is- could be a
band, could be a lesbian devil girl orgy, could be a monster truck rally-
but yeah, I’ll probably go. Somehow or another, I have cultivated an image
that appears to be Satan-friendly. Well, ok. I never met the cat, but we
do seem to like the same bands, so I see the connection. But personally, I
have as much interest in the ‘occult’ as I do in any other form of faith
or religion, which is precious little. But dig this- the Boneyard Press
crew are COMIC BOOK GUYS, yet they get laid all the time. They have pornstars at their booths at comic book conventions, even. And
they all
worship the devil. My conclusion? Satanism gets you laid. With that in
mind, the next time yr crawling around the comic book store, maybe you wanna keep yr greasy mitts off that pussy
X-Men stuff and try something a
little more manly and virile and sacrilegious. Something like “The Book of
Legion”.
“The Book of Legion” is a one-shot of Super Satanic mythos from the
ever-caustic ballbreakers at Boneyard. This nasty bit of deviltry is
notable for two reasons. First, it looks exactly like what would have
happened if Venom were ever as big as
KISS, and got their own vanity comic
book. I mean, Venom aren’t in it, but it’s got that kinda feel. Secondly,
it includes the first-ever illustrated story from
Thom Thorne, the
blasphemous media prankster and rock n’ roll motherfucker behind the
Electric Hellfire Club. How’s that for bad ass, Jack?
The first two stories are by resident Boneyard artist Ryan Mojica. Wrapped
around intro and outro segments featuring a surly, freaked-out Cryptkeeper
tyoe fella who’s hollering and carrying on about the apocalyptic
prophecies in the title book, Mojica’s stories (plots by Freebird Hayes)
“The Battle” and “The Smell” are both short-sharp-shocks of Black Popes on
killing sprees and God and the Devil in a looping game of cosmic Chess,
respectively. The first few pages of “The Battle” are drawn in an
intricate, “Prince Valiant”-esque style, heavy on detail and realism, but
for most of his pages, Mojica utilizes his signature slash n’ burn
approach of quick-stroke ink jabs, which look pretty much like a fledgling
thrill killer’s storyboard for his planned high school killing spree.
With a smattering of bitchin’, bizarro pop-art image from artist
Mantis,
Thom Thorne’s “He Who Laughs Last” zips by at an accelerated pace, but
drop-kicks you right in the belly with it’s shock (sorta) ending. The
story of two high-school slackers that get caught up in a spiraling vortex
of hostile occult forces, “He Who” is part-cautionary tale, part
demonic-hipster bravado, and it actually deserves to be fleshed-out with
more detail than the paltry three pages it’s presented in provides. Pretty
rockin', nonetheless. By the
way, you may find yourself on the unnerved side by the time you finish this
one, but lemme point out two things: one, funeral homes don’t usually go
for gimmicky, pun-inspired names (“Mourning Glory”?), and teenagers,
particularly small town teens, do a lot of fuckin’ drugs. You’ll see all
KINDSA things when yr cranked on trucker speed, believe me.
But then again, I didn't grow up in a creepy small town, and I’m not a high priest in the
Church of Satan like Thorne
is, so you might not wanna take my word for it.
So there you go. If you read this, you’ll probably go straight to Hell
when you die. But that’s what you were planning for anyway, wasn’t it?
-Sleazegrinder (666)
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